Building the Film Before the Camera Rolled – A Hybrid AI Workflow for Blowaways

1769844815782

During my recent visit to London, while meeting the cast and crew of Blowaways, one thing stood out clearly – when a film is understood visually before the shoot, every department moves with confidence.

This project followed a Hybrid AI workflow, meaning AI was used alongside traditional filmmaking and VFX techniques to support clarity, alignment, and preparation well before production began. One of the key highlights of the project was the integration of AI into both the storyboarding process and the development of the film’s final visual look.

From Script to Visual Intent

Every frame began with the script. Before any tools were introduced, the story, emotional beats, and narrative intent were clearly defined. Director’s notes played a crucial role in translating written scenes into mood, scale, pacing, and cinematic language.

These notes became the foundation upon which all visual decisions were built.

Fig: Property of Electric Frank Films

Storyboarding – AI-Assisted, Director-Led

At Wild Visual Effects Pvt Ltd AI was integrated into the storyboarding phase to explore visual interpretations of key scenes quickly, while remaining firmly guided by the director’s intent.

This approach allowed us to:

  • Explore multiple framing and composition options
  • Refine mood and scale early in the process
  • Arrive at stronger, more informed storyboard frames

The result was a storyboard that clearly communicated the film’s visual language across departments.

Fig: Property of Electric Frank Films

Pre-Visualization – Seeing the Film Early

Building on the AI-assisted storyboards, pre-visualization helped refine camera movement, shot continuity, and pacing.

Sequences were visualized in advance, enabling the Director and DOP to make confident decisions on camera placement, lenses, and movement – well before stepping on set. Instead of reacting on set, choices were already guided by intent.

Even lighting direction was defined during pre-visualization, allowing the Director and DOP to align early on mood, contrast, and light motivation before the shoot.

Wild Visual Effects Utilized Unreal Engine for Pre-Visualization

VFX Shoot Planning – Designing for the Final Visual Look

With the visual language established, VFX shoot planning by Wild Visual Effects Pvt Ltd focused on how the final visual look of the film would come together.

Traditional VFX planning techniques, helped define:

  • Exact framing and camera data
  • Required plates and references
  • What needed to be built practically versus digitally

This gave the Art Department clear boundaries and provided production with full visibility into post-production requirements – minimizing surprises later.

Fig: Property of Electric Frank Films
Fig: Property of Electric Frank Films
Fig: Property of Electric Frank Films

On Set – Executing with Clarity

Because the film was visualized early, the shoot progressed with focus and confidence. All departments worked from a shared visual reference, allowing creative decisions to happen faster and execution to remain aligned with the intended final look.

Preparation translated directly into smoother production and a more predictable post-production process.

Fig: Property of Electric Frank Films
Fig: Property of Electric Frank Films
Fig: Property of Electric Frank Films
Fig: Property of Electric Frank Films

What This Hybrid AI Workflow Enabled

  • AI-assisted storyboarding aligned with the director’s vision
  • Early definition of the film’s final visual language
  • Strong collaboration between Director, DOP, Art, and VFX teams

AI was used specifically in storyboarding, VFX, and defining the final visual look of the film, while traditional filmmaking and VFX techniques ensured craft, control, and cinematic precision

Fig: Property of Electric Frank Films

London Reflections

Meeting the Blowaways team in London reinforced a simple truth: great films are built on conversations, trust, and preparation – long before production begins.

A Personal Note from London

During my visit, I was warmly hosted by Director John Dower at his home. Away from sets and meeting rooms, these moments offered space for open conversations – not only about storytelling and process, but also about family, travel, friendships, and life beyond filmmaking.

A few quiet clicks from these moments remain as personal memories, reminding me that filmmaking is built as much on human connection as it is on craft. These moments beyond the frame often shape the work as deeply as anything planned on paper.

Project Credits

Director & Producer – John Dower

Writer – Lin Coghlan

VFX Director – Prakash Kumararajan of Wild Visual Effects

DoP – ian liggett

Production Designer – Eli Bø

Art Director – Frankie D

Sound recordist – Xan Márquez Caneda

Production Assistant – Nassar Amponsah-Afari

Camera Assistants – Jake Cossey JAW Works Will Wrench & Oleg Ratkinov

Performers – Gordon Peaston

Seraphina Beh-Moore

Alex Dower

Katy Dower

Gabrielle Sheppard

Sara F.

Brandon Mullins

Finlay Vane Last

Louis Petit-Vanzee, Finn Nicholson

Animal Handler – Jeanna Gwilliamat Put your Paws up

Composer – Nathan Bell https://www.linkedin.com/in/nathan-bell-06360451/

Editor – Sebastian Morrison

Studio – Mount Pleasant Studios Ltd

Send us a message

Recent Posts